

There are more than forty production vendors on site, including Technicolor, MBS Equipment Company, SGPS/ShowRig, Herc Rentals, Smart Post and The Third Floor.īut Trilith upped the ante with its most recent addition: the 18,000-square-foot "extended reality" Prysm Stages.
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Today, Trilith is one of the largest production studio facilities in North America, with TV credits including WandaVision, Family Feud, Judge Steve Harvey, The Falcon and the Winter Soldier, Loki, Hawkeye and Moon Knight, and film credits including Avengers movies, Ant-Man movies, The Suicide Squad and Spider-Man: No Way Home.įor the companies behind these shows and movies, Trilith offers easy access to everything from Panavision cameras to lighting and grip to fabrication. In 2020, the studio was rebranded as Trilith and expanded into a master development with a live-work concept. Known as a tech guru, Patterson - cofounder of Pulse Evolution, a digital media company that produced a digital likeness of the late Michael Jackson for the 2014 Billboard Music Awards - was drawn to the new studio's technological capabilities. Patterson was named president two years later. In 2014, England's famed Pinewood Studios launched Pinewood Atlanta Studios, drawn by those same tax credits. Other studio lots include Turner Studios (1986), EUE/ Screen Gems Studios (2010) and Areu Bros. Tyler Perry Studios, for example, is a 300-acre town in its own right, founded in 2006. Since they were introduced in 2002, the state has become an industry hub, with several large facilities. The realization of that dream - and of Atlanta as a production center - also has its roots in Georgia's tax incentives for film and television companies, which are among the world's most generous. "It's a dream place, the sort of place I wish had been around when I was young." "I wanted to make a center of excellence where people can feel like anything's possible," he says.

"Everything I needed was right there."Īt Trilith, Patterson sought to re-create that feeling. "When I first moved to L.A., I lived in a tough neighborhood, but the camera house was three blocks away, my friend's post house was just over the hill and my favorite art director lived two blocks west," he recalls. The master-planned community was inspired by Patterson's memories of 1980s Los Angeles, when he was a young filmmaker fresh out of Texas. "We offer everything a creative would need so that makers and artists can live and work here," Patterson says. There's also a district of offices and workshops designed to house content and technology companies and provide collaborative space to filmmakers, writers and production teams. Trilith has built a town adjacent to the studio complex with some 600 homes that run on geothermal power, supported by green space and a walkable town center with restaurants, shops, a theater and a hotel - an area run by Rob Parker, President of The Town at Trilith. But what sets Trilith apart from other studios, says Patterson, the president and chief executive officer, is the creative community around it. The 935-acre facility - located south of Atlanta near Fayetteville, Georgia - is home to twenty-four soundstages, a 400-acre backlot and the brand new Prysm Stages, a first-of-its-kind virtual production facility. "It's where a lot of creativity is happening, and it's where a lot of storytellers are finding their voices." "Television is the medium of our age," he says. That's why he's positioned Trilith Studios to serve small companies making streaming shows right alongside big companies making blockbusters.
